HEAVY METAL * bands as entrepreneurs * cultural export * FINNISH IDENTITY

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Showing posts with label BogFires Case Bands: Diablo. Show all posts
Showing posts with label BogFires Case Bands: Diablo. Show all posts

Saturday, 10 July 2010

MYÖTÄTUULIROCK 2010 Festival report

Myötätuulirock (MTR) was first organized in 1997 as a small local event. To date, it has grown to a considerable summer event in the Finnish festival calendar. This year MTR was organized in the Hakunila sports park in the city of Vantaa as a three days event for the first time. And it had a strongest metal emphasis ever with a bill including a long list of domestic bands plus two Swedish one, and the U.S. thrash legends Exodus as the dressing on the cake. Nevertheless, and despite the relatively easy and fast access to Helsinki, this semi-urban festival has maintained its small and intimate atmosphere. The one and only stage, quite a large one in fact, means that every band has the chance of getting the attention of the whole public, but also results in somewhat too long waiting times over the gear changes and consequently in quite long days given the still rather small amount of performers. Anyhow, the small and compact “stadium” works as a nice venue in which food and merchandise booths, toilets and other services work nicely. But why were there no festival T-shirts available?



On Friday, Doom Unit had the honor of opening the fest, unfortunately playing their basic and slightly colorless set at the front of a still very small audience. The crowd did not become very big in the evening either, perhaps a couple of thousand people populated the field. Weather was not necessarily bad, in Finnish standard, but quite cool, and Exodus was not popular enough to appeal bigger masses. In fact, the peak in the number of visitors was probably reached during the Tarot gig. Blake was second on the row, not offering any considerable impact either. During Viikate, who followed, the crowd already started to show some signs of life, partly because of the heightening alcohol levels, but also due to the quite well-humored and relaxed performance of this public favorite. The song material, however, fails to keep up the intensity, and the powerless singing of Kaarle does not help either. The Kuopio troopers Tarot, in turn, was familiarly assertive. The bass sound of Marco Hietala was really heavy, particularly if felt close to the subwoofers. If only the band would include some songs from their early catalogue instead of a number of duller pieces from the recent Gravity of Light album. Well, the Punishment was a positive surprise. Ensiferum seemed to have perhaps the most visible fan representation in Hakunila, but did not create any effect in this head. Exodus, in turn, made a big impact. I have to shamelessly admit that I have never really listened to these old school thrashers, but after this gig I have to check their discography more closely. The band was tight and convincing – quite a paradigmatic showcase of orthodox Bay Area thrash on one hand, but functioning and compelling on the other. The impact was strengthened by the effective lights use in the already darkened summer evening.


Considering the long day ahead, I decided to skip The Milestones and Los Bastardos Finlandeses who opened the second day. But Kiuas was a band to check, definitely. At this time, already a considerably bigger amount of people than on Friday afternoon had appeared on the grass. In overall, Saturday probably doubled the visitor number of Friday. Perhaps even more metal fans would have travelled to Vantaa if the weather was not so horrible. The pouring rain that started at the start of Mokoma’s set, supported by gusty wind, really changed the conditions uncomfortable as the day proceeded. Kiuas and Diablo were lucky to play for the still dry audience, and good gigs did they perform too. Kiuas is a talented group. In specific, it is nice to follow the action of Mikko Salovaara (guitar) and Ilja Jalkanen (vocals). Diablo only performs two gigs in the summer while preparing their following album. Despite the long break, the band mastered the old songs in a routine way. But, as quite often in the Diablo case, the sounds were somewhat scruffy in overall and it is difficult to hear Rainer’s voice. It’s a pity that the nice moments of many songs do not properly materialize in a live setting. Mokoma, who set the sky in the rein mode, was very good. Certainly the best hour of the day, in addition to their Sakara comrades Stam1na later in the evening. The energetic and robust set included songs from a number of their albums. “Marras” naturally caused the most active movements in the audience. And the hand swinging of recently video-taped “Hei Hei Heinäkuu” also seem to work pretty well already in the early summer. And nice were the sounds as well. Korpiklaani was very visual, the hardening rain even served their show setting well. Nonetheless, despite their sheer expertise brought along by active touring, I don’t personally get the big idea behind their drinking songs. The happy mood was next reverted into anxiety by Swallow the Sun, one of the top metal bands from this country. However, the dark and moody music of STS does not really work in such a large festival setting in light conditions, despite the rain that may be a good visual supplement for them. The show appeared a bit lame in-between the cheering gangs of Korpiklaani and Stam1na who really got the crowd in motion. The lingering songs probably did not bring new fans for the band, while it was difficult to hear their nuances live due to very thin guitar sounds and practically unheard vocals. I saw the band perform in a Tuska festival two weeks later, in a small and dark tent with nice sounds and effective lights, and the experience was totally the opposite.


Stam1na, as already said, represented the top of the day. The Lemi troops were, I think, tighter and more intensive than in Sauna a week ago. It’s just fun to follow their set. The surprising cover version of “Puita Kaminaan” song showed a new interesting side of Hyrde’s singing abilities. A good extra treat! Then it was time to see what did the empty slot in the bill, supposed to be filled by mystical surprise act, actually mean. Well, it was Hevisaurus, a cute band in lizard costumes playing heavy metal for young children. Not my cup of tea exactly, but the creature gang had pyros and played really tight, certainly with a louder volume than in their “normal” gigs. And there was quite a large mosh pit circling the field, which was funny. Anyhow, a couple of songs was enough, and it was time to head home to dry and warm. I had to quit Turisas.



Sunday was the day of sunshine, finally, but also the quietest day in the venue. Reckless Love opened the day with a cheerful and quite amusing set of 80’s-inspired hair metal. No wonder the band has caused some buzz recently – the Kuopio group is rather charismatic on stage. Raaka-aine and Peer Günt followed with quite neutral performances. The first Swedish quests of the afternoon, Royal Republic, managed to get some movement in the crowd with their freshly rocking songs and energetic stage working. Suburban Tribe, in turn, was perhaps somewhat tamer than week ago in Tampere. Well, vocalist Ville Tuomi seemed to have lots of extra energy, seemingly after a few cups of fresh lemonade. The gig was also disturbed – or even colored, as so often happens – with some technical problems in both Janne’s bass and Euge’s guitar gears. In the already chilling evening, another bunch of Swedes offered some heating for the Hakunila people. Mustasch, with their usual intensity and dedication, put forth a very nicely rocking set. Ralf Gyllenhammar is a true entertainer who takes a notice of his audience and knows his rock poses and jargon. A kinker that came down to the front row after the gig to share sups from his whiskey bottle with the audience. And then finally, Amorphis sealed the Myötätuulirock 2010 with a great set. The band was seemingly the highlight of the day for the crowd as well. From the many Amo shows that I have recently witnessed, this one made one of the biggest impacts. One obvious reason was the great sounds: Now the guitars, Tomi’s voice and everything were well in balance, crisp and powerful. And as a unique curiosity, the setting sun momentarily created some nice visual effect s on the stage. A nice ending for the three days.



TMK


Myötätuulirock site: http://www.mtr.fi/

Metal Shots photos: http://www.metalshots.com/2010/2010-06-18_Myotatuulirock_Vantaa/index.php

Thursday, 6 August 2009

Sonisphere travel report - Pori, July 25 2009







Metallica brought its Sonisphere caravan to their fifth spot, the city of Pori in the southwest corner of Finland. The one day festival gathered 60.000 guests to the Kirjurinluoto Arena, normally used for the annual Jazz festivals, making the day the biggest ticketed rock event ever held in Finland (a record to be broken today with Madonna’s first visit to our country) and almost doubling the population of Pori for a short time.

Because of the massive crowd in the relatively small city, visitors and habitants were told to be prepared for long queues and lack of parking places in the nearby area. I started my drive early in the morning from Vantaa, and when arriving in Pori around eleven, the place was still rather quiet. I managed to leave the car next to the area, right by the Raumansilta, and face practically no queuing at the entrance. A couple of hours later, it was already a different story.

Los Bastardos Finlandeses, the group of Finnish hard rock veterans, kicked off the festival on the second stage at the noon. The laid back set was a good start for the day, but did not arouse big movement in the still scarce audience. Right after the LBF, Mastodon opened the main stage, and the atmosphere slightly suffered from the lack of people. At the same time, it was nice to get close to the stage and enjoy the gig without any rush, which was mostly impossible with later bands on the main stage. Despite the early slot, the band performed an energetic (but short) set, but the bright daylight and big stage is not a perfect setting for their complex songs. The setlist was quite balanced with songs from the recent “Crack The Sky” album, including the opener “Oblivion”, the great title song and the majestic “Czar”, and a compilation of older tunes. After seeing Mastodon recently warming for Metallica, Slayer and Iron Maiden, which cannot provide the best conditions for the opening band, I would really like to see them playing a full set, preferably in a smaller club.

Mastodon early starting time may have come as a surprise for many visitors who consequently missed the band. And yes, the organizers’ decision not to publish a precise program on the web before the event was not only strange but also a major shortcoming. And this discomfort was further crusted by not displaying or handing out the program in the area itself, except for those “info packs” priced 5 Euros (and that version even had the cancelled Anthrax on the bill). This really looked like a desperate attempt to cash some additional revenues. Otherwise, the schedule was nicely constructed, so that it was able to see all the bands with no overlapping or major waiting times, and all the bands started their sets in time.

Back to the second stage that next hosted the Finnish group Nicole. I experienced the band live for the first time and was not very familiar with their material anyway. And what a positive surprise it was. Their powerful songs combined with technical and precise playing seemingly had reached a good body of devoted listeners. This is definitely a band worth checking out.

Lamb of God had already gathered a large crowd by the main stage. Seeing the LOG gig for the third time this year, the show did not offer any surprises and was rather mundane compared to their blasting performance in Frostbite in January. A minor extra interest was provided by Buz McGrath, a guitarist from the Boston metal band Unearth, replacing Mark Morton who had flown to Virginia for the birth of his first child. McGrath filled his shoes with no problems. While the band was barging on the stage with Randy’s typical gyrating presence and know-how of Finnish curse words, the audience in the first section played their part and performed the usual LOG rituals in the form of large circle pit and the wall of death. The latter made the policemen and security guards on their heightened platform seemingly a bit nervous.

The small stage next witnessed the Finnish Diablo who gave the audience a rather standard show with good humor and selection of headbanging songs of high quality. However, as is the case quite often with the band, the sounds were a bit scruffy and somehow mute, for instance compared to more crispy and intense Nicole.

The next large US band on the main stage, Machine Head offered nothing specific to remember. The lack of strong songs and out-of-tune singing of Flynn left somewhat empty feeling, although the band was loud and passionate as usually. The set ended earlier than intended with some dramatics as the guitarist Phil Demmel passed out after some 30 minutes of playing, which forced the band to end the set with apologies. Demmel then walked from the stage with his own feed and was reported to be fine.

The Finnish Turisas was replacing Anthrax who, due to their singer problems, have cancelled their tour including the Pori show. Although missing the representative of the legendary Big Four of the Bay Area thrash scene must have been a disappointment for many visitors, Turisas gathered a surprisingly large and active crowd for their folk/Viking/battle/whatever metal. However, this setting was not my cup of tea. It was also a bit strange that the short slot was covered with lots of speaking and courting with the audience, with the overly extended version of their “Rasputin” cover, leaving the setlist quite stump. However, credits must be given for their professional and flawless playing despite of such a short notice and little practice.

Linkin Park was a strange choice to the Sonisphere bill to start with, and their halfhearted, boring, and distant hit list may have provided the fans with some good moments, but for most of the Metallica-expecting audience the show was probably a meaningless intermission performance.

LP worked fine as background music, so it was time to test the food services in the festival area. And yes, as complained by many, they were too few, resulting in long lines and stupid waiting times. Moreover, there were no veggie options available – somebody had seen something inside the beer area where the beer desks were also reportedly plentiful. So quite likely many of the visitors went fighting their hunger with the malt soup instead of decent food. Another target of complaints was the too few female toilets with long queues, but everything worked on the men’s side. Most flaws may be excused for the large crowd, as was also the slow exit from the area, but these aspects (and the program info!) should be improved if the festival is to be arranged in Pori in the future.

Before Metallica, Saxon closed the second floor with their sortiment of new songs and old NWOBHM classics. Most of the people were already securing their places by the main stage, leaving the front of the small stage half empty. This did not prevent the Saxon fans, with the average age clearly the highest of the day, from enjoying the familiar and safe offering of Biff Byford and the gang.

And then, the Kirjurinluoto Arena transformed to a very different place, as Metallica entered the stage. The guys had already served the Finns with nice two gigs in Helsinki in June, but the response seemed and sounded like the band hadn’t played here for years. This time the stage setting was an ordinary one, instead of the clever and specific circle stage design with lasers and pyros witnessed in their inhouse arena tour. However, the pyros were high and the lights got very powerful and impressive, as the night darkened along with the show. The guys were in good humor, Hetfield made his familiar comments, Lars playing was inaccurate now and then, so nothing new under the sun. But somehow the show felt extraordinary; certainly one of the best Metallica shows, if not the best, I’ve witnessed. Big part of this great experience was made by the wonderful audience constantly making noise, keeping hands towards the sky, and singing the songs out loud. Their participation was enhanced by the well-balanced set list, giving less weight to the new songs as in Helsinki shows. Even the occasional light rain brought an extra dimension to the show, at least visually. Otherwise, weather was mostly cloudy and a bit chilly with wind throughout the day, with some short moments of sunshine however.

After spending an hour before being able to get back to the Raumansilta bridge that obviously formed the hardest bottleneck for such a mass, I was able to start driving back to South. The unbroken sand slow moving stream of cars on the normally empty roads 2 to south and 11 to east added another memorable flavor to the day. The first 24H open ABC station in Tampere was unsurprisingly packed with metal heads on their way home. I grabbed a large mug of coffee and headed south in the already lightening Finnish summer night that faded to black only few hours ago.

TMK
Photos: TMK

Metallica set list:

Battery
Creeping Death
Fuel
Harvester Of Sorrow
Fade To Black
Broken, Beat And Scarred
Cyanide
Sad But True
One
All Nightmare Long
The Day That Never Comes
Master Of Puppets
Blackened
Nothing Else Matters
Enter Sandman
Encore:
Stone Cold Crazy (Queen cover)
Motorbreath
Seek & Destroy

Tuesday, 10 March 2009

Rainer Nygård of Diablo in video interview

Diablo guitarist/vocalist Rainer Nygård was interviewed by Asif Salam of SoundShock.net when they played the Forum in London, England on February 19, 2009.

Friday, 16 January 2009

HIM & Helldone @ Tavastia 29.-31.12.2008

Such a nice experience! My first time in traditional HIM party which was organised now for 9th year in row. HIM played superbly, Ville is charismatic as always, the set list inclusive, and Tavastia a perfect place for this band. And of course the international audience and devoted fans make the atmosphere extraordinary. A nice video in YouTube:

http://www.youtube.com/watch?v=K8423ItgVmk

Ville's interview in Helldone:
http://www.metacafe.com/watch/1186621/ville_valo_intervieuw_helldone_2008/

About the other bands... Godsplague and Diablo on Monday really nailed it down, and Stam1na was superb, convincing, hilarious and everything, as always. And lots of musicians hanging around there in the club... Tuesday with Sara, Negative and the 69 Eyes was calmer and lamer but basically ok. On Wednesday, I missed 45 Degree Womean, but luckily experienced the peculiarly entertaining KYPCK.